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By Yisrael Levin

concentrating on Algernon Charles Swinburne's later writings, this assortment makes a case for the seriousness and importance of the writer's mature paintings. whereas Swinburne's scandalous early poetry has obtained substantial severe recognition, the considerate, wealthy, spiritually and politically proficient poetry that started to emerge in his thirties has been commonly overlooked. This quantity addresses the necessity for a fuller knowing of Swinburne's occupation that comes with his fiction, aesthetic ideology, and analyses of Shakespeare and the good French writers. one of the key positive factors of the gathering is the contextualizing of Swinburne's paintings in new contexts resembling Victorian mythography, continental aestheticism, positivism, and empiricism. person essays research, between different subject matters, the dialect poems and Swinburne's place as a nearby poet, Swinburne as a transition determine from nineteenth-century aesthetic writing to the professionalized feedback that dominates the 20th century, Swinburne's participation within the French literary scene, Swinburne's friendships with ladies writers, and the decisions made for anthologies from the 19th century to the current. Taken jointly, the essays supply students a richer portrait of Swinburne's value as a poet, critic, and fiction writer.

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A.C. Swinburne and the Singing Word: New Perspectives on the Mature Work by Yisrael Levin


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